Performances in N.Y.C. Advertisement Supported by critic’s notebook Our chief classical critic took on the daunting Opus 110 in college, and now relishes risky recordings. By Anthony Tommasini For my ...

On stage again this Sunday afternoon, May 12, it has all the earmarks of a season finale: a flashy violin concerto, an audience favorite soloist, a huge work for orchestra, chorus, and four soloists ...

Beethoven fans and aficionados give us 250 words – no more, no fewer – on the great composer, as the world marks the 250th anniversary of his birth. 16 December 2020 marks the 250th anniversary of ...

With even his stern face and wild artist's hair as iconic as his music, it’s not easy to remember that Ludwig van Beethoven was once a struggling up-and-comer. But at the end of the 18 th century and ...

A hunt was on in New York last week for the kind of chair Beethoven used when he played the piano. It had to have short, strong legs to suit a heavy, stumpy little man like Beethoven, a comfortable ...

Whether or not music stirs inside, each of us bears a living metronome at our core. It may tick at 40 or 100 beats per minute, in three-quarter time or in six-eight, erratically or like a Swiss clock.

Classical music organizations around the world began a major anniversary celebration this fall for Ludwig van Beethoven, born almost 250 years ago in December 1770. The Beethoven-Haus in Bonn, the ...

Most of us hear the name P.F. Sloan and think of the many hits he wrote for The Grassroots, Barry McGuire, Johnny Rivers, The Turtles, The Searchers, Herman and the Hermits, The Fifth Dimension, and ...

In the spring of 1825, when Beethoven was 54, he became terribly sick. He was in bed for a month and he wrote to his doctor, "I am not feeling well ... I am in great pain." The doctor put Beethoven on ...